FM (Frequency Modulation) Synthesis

The volca series has shed new light on classic technologies by linking classic sound engines such as the groove machines and early samplers of the past with the dance music of today. Now it's time for the series to gain an FM sound engine.

The volca fm is a three-voice digital FM synthesizer that completely reproduces the sound engine of a classic FM synthesizer, and provides compatibility with it as well. The unique volca interface makes it easy to manipulate distinctive FM sounds even if you're not familiar with the complexities of FM synthesis. The 16-step sequencer that's one of volca's features provides new functions such as WARP ACTIVE STEP and PATTERN CHAIN that let you make even more powerful rhythm patterns.

One of the biggest technological factors has been due to the creation of FM synthesis.

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Frequency modulation synthesis - Wikipedia

It is originally made for 2m station, but is perfect for FM radio band as well.

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FM Synthesis: Why do people like it so much? : …

FM synthesis is not very effective at recreating acoustics instruments, but is great for electronic and digital sounds, as well as harsh bell or cymbal-type sounds.

Why do people care for FM synthesis

In this 4-hour course, Phil Mantione dives deep into the what, why and how of various methods and types of synthesis so you can effortlessly get the sounds out of your head and into your song. From essential basics to advanced creative concepts, you’ll not only learn the technical theory, but creative practical applications you can immediately apply to your own music.

FM Synthesis - The Producer's Forum

is an alternative approach to altering the harmonic character of a generated wave through the use of filters. FM Synthesis, instead, employs a modulator oscillator that varies the frequency of the sound signal, thus producing new harmonics.

Feb 10, 2016 · Fm synthesis is really fantastic

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FM Synthesis - Carnegie Mellon School of Computer …

is trying to achieve the same result as Subtractive Synthesis, but approaches the method from a constructive philosophy, rather than carving. Rather than presenting a wall of harmonics and carving out the harmonic structure desired (Subtractive Synthesis), in additive synthesis multiple sine waves of varying levels and are combined together to build the harmonic structure desired. Simply put, instead of starting with everything you need and throwing away what you don’t need, you start with nothing and build harmonic structures from scratch.